Le couple témoin 1977

Le couple témoin

Le couple témoin (1977) [1.55 GB]

IMDB info | TMDB info
Language: French
1.55 GB | 01:41:11 | 1995 Kbps | mkv | 656×480 | A_AC3, 48 Khz, 1 channels, 192 Kbps | Subs: English
Genres: Comedy | Country: France, Switzerland
A perfectly average young couple volunteers to live in a modern household for a long televised experiment undertaken by the Ministry of Future.

Original Title: Le couple témoin (1977)

Title: The Model Couple (1977)

Genres: Comedy
Director: William Klein
Writers: William Klein
Actors: André Dussollier, Anémone, Zouc, Jacques Boudet
Rating: 6.5
Votes: 307
Rated: NOT RATED

n 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine (Anémone) and Jean-Michel (André Dussolier), for a national experiment. They will be monitored and displayed for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance—the template for “a new city for the new man.” A searing satire of the breakdown of individual freedoms in the face of increasing governmental control, William Klein’s The Model Couple deftly investigates the fine line between democracy and totalitarianism.

It was eight more years before William Klein made the third of his “delirious fictions.” The Model Couple (1977; 101 minutes; color) is my least favorite of the trio (and, really, the first film is easily the best), but it only speaks to how good The Model Couple’s predecessors are that this creatively rich movie cold ever possibly come in third. The Model Couple imagines a contemporary France that has a Ministry of the Future. Determined to design a city to meet the needs of people facing the end of the century, they choose an ideal husband and wife to isolate in a specially designed apartment so they can be monitored and tested. Once classified, the Ministry can then plan for a tomorrow perfectly suited to the French citizens.

Jean-Michel (Andre Dussolier) and Claudine (Anemone) were chosen for their high percentage of average traits (77%, they are told). Once in their apartment, they are hooked to wires, set about to tasks, and submitted to a variety of experiments to map the outer boundaries of their relationship and the conditions they will submit to. They are poked and prodded by two psychosociologists (Jacques Boudet and Zouc), and the entire procedure is recorded and shared with the television viewing audience. It’s a little like the “Big Brother” TV show but with at least a semblance of social value, and the host of the program (Andre Penvern) and his panel of commentators is easily as annoying as the constant chatter streaming out of the flapping maws of pundits on cable news.

Initially, while the program maintains the illusion of wanting to uncover the couple’s true wants, eventually when results stop conforming to what is convenient to the Ministry, the psychosociologists start to try to manipulate Jean-Michel and Claudine into conforming to the anticipated results. (Making them just like Polly Maggoo and the whole of the world under Freedom Inc.) As Klein sees it, the future is not always helpful, and all the technology and the gadgets it brings could just as likely enslave the users as free them. The experiment also begins to take its toll on both the administrators and the subjects, causing them to go a little stir crazy. Even worse, the public interest starts to wane, and a new strategy will have to be formulated or the house might be shut down. In a media culture that is constantly feeding on itself, there is always a need for a new meal.

The Model Couple is Klein’s least detailed production. The sets and the many props are painted in solid colors, with the walls being totally white. Klein focuses most of the art direction on the gadgets, including the elaborate monitoring systems that get attached to Jean-Michel and Claudine. Though he doesn’t rely on the rapid cutting or even the complicated compositions of Polly Maggoo, he does maintain a sense of playfulness. There are multiple sequences where the footage is shown in double-time while being underscored with narrative songs composed by Michel Colombier and performed by Hugues Aufray, a ’60s performer known for his French adaptations of Bob Dylan tracks. There are also Godardian experiments in sound, including a scene where the couple notices the sound of their words is out of sync with the movement of their lips. In fact, there is a lot of Godard in the political sloganeering and the debates the psychological experiments inspire.

Le couple témoin 1977

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